"Sella Turcica"(2010)d/Fred Vogel

We'll ring in the month of November here at the Wop with good seasonal tidings and some excellent genre news for all:the unhinged motherfuckers over at Toe Tag Pictures in Pittsburgh are at it again,serving up some chunk blowing fear fodder with their latest film,Sella Turcica.If you're unfamiliar with the anatomical term(which I'm sure you aren't,as most woprophiles here blew through med school like a tsunami through shanty town,right?),it describes a depression in a bone at the base of the skull that's shaped like a saddle,hence,the "turkish saddle" or sella turcica.Fred "The Hammer" Vogel's latest ocularly offensive offering stars genre queen Camille "I Spit on Your Grave" Keaton,a grown up Jade Risser,who gorehounds will remember from Nick Palumbo's Murder Set Pieces,an excellent lead performance by Toe Tag regular Damien Maruscak,and a dramatic screenplay collaborated upon by Toe Tag head Don Moore,and Fred and Shelby Vogel.At first glance,Turcica might resemble a gore-soaked,low budget update of Bob Clark's Deathdream(1974),but I'm here to tell you,kiddies,Savini and Ormsby could have never dreamed of the splatterific splendor brought to the silver screen here by FX maestro Jerami Cruise.In fact,I'm gonna spare you screenshots of the picture's brutal finale tonight,and instead urge you to pick up your own copy of the film directly from Toe Tag's webstore,and if you don't find yourself blown away and playing back the last twenty minutes of the movie several times in a row,well maybe,you ought to be sharing tear-drenched tissues with your significant other over the latest chick flick,you Sally.

"But I don't wanna hear your boyfriend's stupid fucking mixtapes!"
The story goes something like this:Karmen Robak(Keaton) has enlisted the help of her family to prepare the household for the bittersweet return of her son,Brad(Maruscak),a wheelchair-ridden war vet,paralyzed by a mysterious accident while on active duty,though they remain unaware of the details of the accident or the severity of his condition.Upon his arrival,they're so pleased to see him that they avoid bringing up his obvious sickly appearance.Over the next twenty-six hours Brad's condition grows gravely worse,spiralling into a gruesome conclusion that will change the family forever.

Sgt. Robak(Maruscak) is a wounded war vet you'll not soon forget.
Vogel,the man responsible for the most gloriously nasty horror trilogy to ever see the light of day,focuses his camera lens mainly on dramatic tension for the first two thirds of the picture,then effectively throws the proverbial kitchen sink(if it was filled with gruesomely bloody imagery)at the viewer during the finale.Some of the acting performances feel a bit amateurish,and the dialogue is occasionally stilted(I thought I may have counted characters thanking each other for "being there" something like six hundred thousand times),with Pittsburgh rapper "Freestyle"'s turn as Gavin/DJ Gazm being pretty cringeworthy from the instant he appears on screen.You'll be plugging for him to die violently the second he opens his mouth.There's also a pug named "Fulci",and direct reference to Giovinazzo's Combat Shock(1986),if you're paying close enough attention.All in all though,it's good to see Vogel tackling projects with substance and social commentary to them,and the metaphor within tonight's review about how war can change people is well-handled,I think.It's safe to say we can rely on directors like Vogel and Nick Palumbo to consistently redefine the cutting edge of underground horror,and if features like Turcica are any indication,there are good days ahead for the genre,indeed.Three wops.

If you thought war was Hell,you should see the Robak household right about now...

Deathdream(1974)d/Benjamin "Bob" Clark

Not a day goes by where I don't ponder how much I miss the late director of this entry,Benjamin "Bob" Clark,the man responsible for the original Black Christmas,Children Shouldn't Play With Dead Things,and later on,Porky's and perrenial holiday masterpiece,A Christmas Story.The man was truly a gifted artist with a remarkable vision,and his take on "The Monkey's Paw",written by genre staple Alan Ormsby(who has a cameo and handles the brilliant special makeup effects with a young assistant by the name of Savini!),is a creepy atmospheric classic of seventies cinema,a seething social commentary of the Vietnam war,and one of my personal all-time favorites.The cast is tremendous,from The Godfather's John Marley to then-newcomer Richard Backus,and everyone in between.It used to be you couldn't have a horror movie conversation without this movie or Clark's other work getting namedropped multiple times.That's the way it always SHOULD be.Those of you who've never experienced it,really oughta pick up the Blue Underground dvd ASAP and do yourselves the favor.This is what horror is all about.

If war isn't Hell,it's gotta be a close second.
Andy Brooks(Richard Backus)eats communist-administered hot lead death in Vietnam.When an army captain breaks the tragic news to Andy's family,his father(John "Horsehead" Marley)and sister(Alan's then-wife and "Children Shouldn't Play With Dead Things' uber-weirdo,Anya Ormsby)are devastated,consoling each others' tears with hugs,but his mother(Lynn Carlin)refuses to accept what she's heard,slipping into a state of repudiatory shock,clutching a candle and rocking back and forth into the blackness.Later that night on a darkened Florida highway,a truck driver picks up an unseen hitchhiking soldier,returning home from Vietnam.The next morning his corpse is discovered by the authorities,propped up in the driver's seat of his cab,throat savagely slit and drained of blood.When the Brooks are awakened from their sleep that night by a noise at the front door,they're shocked by the unexpected sight of their son's return from the war.Immediately Charles notices that the bloody conflict has changed Andy,who sits in the rocker at great lengths,staring off ominously,before disappearing when the sun goes down.The family throws a picnic for him in the backyard which goes horribly wrong when Andy abruptly grabs one of the neighborhood kids before turning his hateful violence on the family pooch,chucking it through the air towards an early dirt nap.Television news broadcasts about details surrounding the dead trucker spark Charles' curiosity,who schedules a surprise vist for Andy from Dr. Allman.

An officer(director Clark himself!)examines the gruesome aftermath of Andy's return.
When Andy follows Allman back to his office,he allows the doctor to examine him,revealing that for all intents and purposes,he is a walking corpse(!).He thanks the physician for his efforts with several scalpel blows to the midsection,helping himself to Allman's blood via a hypodermic needle,momentarily quelling the perpetual rot of the dead flesh on his cadaver(!).Meanwhile,Andy's sister Cathy decides its high time that her brother reunite with his best girl,Joanne(Jane Daly,also of CSPWDT fame),setting up a romantic double date at the drive in.Andy spends the majority of the date void of emotion,hiding his increasing fleshrot behind a turtleneck,leather gloves,and sunglasses(!!!),and when Joanne notices her beau's decay,he kills her,sparking panic and chaos at the outdoor theater.He recklessly drives home,where Charles cannot bring himself to shoot his rapidly rotting namesake,and his mother hurries him out to the car,where he is shot with no effect by approaching policemen.A highspeed chase to the cemetery ensues,the desperate woman hauling her son to an open grave and headstone where he had primitively scratched his name and birth/death dates with a rock.The police arrive on the scene to find Christine weeping as Andy futilely tries to bury himself,finally dying for keeps this time.

Everything doesn't look fine,Bob.
Also released as Dead of Night(not to be confused with the excellent Dan Curtis/Richard Matheson 1977 television anthology),and La Morte Dietro la Porta(The Death Behind the Door) in Italy.Christopher Walken was also considered for the role of Andy,but Backus nailed it with his soulless stare of hate,and was cast instead.Clark had planned to ressurect Children Shouldn't... as his career had taken a decidely goofy turn as of late,helming such forgettable fodder as Baby Geniuses and its sequel,and made-for-television fare like The Karate Dog and Maniac McGee,but an unfortunate car crash claimed his life in 2007.Ormsby took the directorial chair for Deranged,and later uncredited for Popcorn(1991),as well as writing the script for My Bodyguard(1980),and most recently,for television shows like Nash Bridges and The Substitute at the outset of the '00s.Backus scored himself a prolonged role on soap opera,Ryan's Children,before moving on to tv shows like Spenser:For Hire and Law & Order.This entry enjoyed a long run on late night horror shows,and deservedly so.Clark's powerful Vietnam allegory where Americans die in battle,and those that don't,return home as zombies,remains effective and somewhat poignant during our current crisis in the Middle East.Still one of the choicest horror movies of the 70's,I often find myself sitting down for a revisit.The highest possible scale rating,and a sincere recommendation is what I bestow upon it.

Andy(Richard Backus)is just looking to find his way home.