Showing posts with label Jacinto Molina. Show all posts
Showing posts with label Jacinto Molina. Show all posts

Thursday, October 13, 2011

"Frankenstein's Bloody Terror"(1968/71)d/Enrique López Eguiluz

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Tonight, we explore the colorfully gothic pioneer effort by the late barrel-chested Spanish writer/actor/director Jacinto Molina, or Paul Naschy, as he's globally recognized; the man who carried the baton of lycanthropy in the horror reel-ay of the seventies and eighties.Originally released as "La Marca del Hombre-Lobo"(The Mark of the Wolfman, por supuesto), then repackaged for American audiences in glorious 70 mm Chill-O-Rama 3D by Sam Sherman, who inserted a groovy bleeding animated pre-title sequence into the film that explained the total lack o' Frankenstein in the flick, despite the misleading title.Though there's no Tall, Green, n' Sewn-together-out-of-corpses to be found, fans of cheesy horror can rest assured there's still plenty for them to wrap their glassies around here, not excluding:climactic werewolf v. people, werewolf v. werewolf, and even werewolf v. vampire battles that all seem to transpire upon classically eerie locales, and even a hint of the grue and sexuality that viewers would find buckets n' knickersful in the later film chronicles of Molina's tragic hispanic, Waldemar Daninsky.Naschy's werewolf, besides having a propensity for awkwardly leaping upon his victims, was a damned sight more brutal than the lycanthropic portrayals of earlier actors like Lon Chaney, Jr., Henry Hull, or Steven Ritchie(!), borrowing more from Oliver Reed's snarlingly memorable turn(I think, anyway), with goopy blood seemingly ever-dripping from his plastic dimestore fangs(!!).The whole sordid affair has been lovingly restored on dvd by the fiends over at Shriek Show/Media Blasters with extended and deleted scenes(from the original Spanish cut of the film), trailers, interviews, tv spot, easter eggs, and still gallery.If you're too high brow to include shlocky fun of the highest order in your snooty movie shelves, and you're too much of a skirt-wearin' Mary to slam your own head in the refrigerator for me(I fucking hate most snoot-bags), then just rent this one out and give it a shot, it might leave you howling, if only for the wrong reasons...
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Just tease the head, baby.You know how I gotta have it.
After some nonsense about the Frankensteins being cursed for their crimes with the mark of the werewolf, and thus, becoming Wolfsteins, we're transported to a masquerade ball as held at a count's mansion, where a swarthy stranger decked out in a red Robin Hood outfit strolls up and cockblocks the countess' boyfriend while telling her that he's none other than "His Satanic Majesty" himself.No, he's really Waldemar Daninsky(Paul Naschy)in flashy disguise, and all of her sex is belongs to him now, plix.The countess and her less barrel-chested beau, Rudolph, decide to explore castle ruins near Waldemar's digs, but he cuts their Scooby Doo antics short with long-winded legends about the silver crucifix-staked corpse of Lord Wolfstein located in the family crypts.Daninsky then invites a gypo couple to seek refuge within the walls of the abandoned castle.As gypos often do, they repay his kindness by pilfering wine and attempting to rob the tomb of the lord of the manor.You remember, the one with the dagger eternally shanked into him?Probably a bad move.No sooner than the greedy tramps can pull the blade from the remains, they're set upon by a vicious werewolf.Faced with the murder of a couple of fellow aristos, the Count organizes a hunting party for the lycanthrope now terrorizing the land that consists of Waldemar and Rudolph, who's nearly wolf-bitten in the ass, but saved in the nick by his new pal, who, unfortunately, isn't as lucky.Suddenly grateful, Rudolph speeds the pentagram-scarred Daninsky back to his pad, for to chain his ass up before the full moon rises.Yeah, I 've got a funny feeling those chains'll never hold him once he goes all Shaggy D.A....
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That's right, Waldemar(Paul Naschy).It's the turtleneck dungeon for you.
Once the lunar rays hit Waldemar, he turns into a snarling bundle of crepe wool fury via psychedelic bleeding screen effect, making short work of his shackles and even shorter work of two unfortunate peons nearby(the male gets his monkey ass handed to him, throat ripped out in the process, then set afire like a pile of debt collectors notices at one of Smith's Bonfires of Irresponsibility).The countess searches for her new love interest, despite the disapproval of her old love interest, only to find him chained up in the dungeon and pleading to be eighty-sixed before he treats anymore peasants like Rodney King on a Friday night bender.They discover some forty year old letters from Wolfstein to a Dr. Mikelhov(Julián Ugarte), concerning a cure for lycanthropy, while rummaging through the castle study.They contact the good doctor, who agrees to help the ailing Daninsky, but when he arrives with his wife under the cover of some timely, atmospheric fog, he helps to chain the poor bastard to a dingy dungeon wall instead.Rudolph is seduced n' tapped by the doc's wife, and the countess suffers a similar fate at the hands of Mikhelov, who also chains Lord Wolfstein into the cell with Waldemar.Doctor, my balls, he's a sassy aristo-vampire, and so's his old lady!Both prisoners transform into werewolves and square off in a Spanish dungeon deathmatch that proves fatal for the hairy lord, who gets gnawed on like a moldy strip of teriyaki beef jerky by the younger, more virile crepe wool-face.The next night Waldemar stakes Mrs. Mikhelov betwixt the chest circles, but as he's about to likewise oblige her blood-drinking husband, he's got the nerve to rise from his coffin.There's an artsy slo-mo sequence contrasting the vampire's grace and the werewolf's brutality, after which the wolfman does the poor man's Dracula like a roid raged barbarian a'snatch-pursin' Granny Clampett.The countess then helps her love to store some hot silver in his chest, freeing him from both the curse and his tragically short lifespan.Roll the credits...
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"Jou wan' soam o' dis, ese?Doan choo know I'm lobo?!!"
Naschy would follow this effort up with 1970's Assignment Terror and The Werewolf vs. the Vampire Woman in 1971, La furia del Hombre Lobo(1972), Dr. Jekyll y el Hombre Lobo(1972), Curse of the Devil(1974), Night of the Howling Beast(1975), Night of the Werewolf(1981), La bestia y la espada mágica(1983), Licántropo: El asesino de la luna llena(1996), and finally, the direct-to-video Tomb of the Werewolf(2004), all with some incarnation of his Waldemar Daninsky character.He died on November 30th, 2009, at the age of 75, after a long career in genre film spanning 100 films, while enjoying an unexpected resurgence in popularity.Predating the vampire-werewolf battles of the Underworld series by several decades, tonight's entry won't make anybody forget those movies, but it is a good, empty-headed time to be had for fans of lycanthropy-based horror movies and b-movie bad/goodness.On the scale, don't let the single Wop score fool you.Add to your query, you know you wanna...
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"...derecho entre los melones!Ayiiiiii!"
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Saturday, October 18, 2008

Hunchback of the Morgue(1973)d/Javier Aguirre

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Spaniard Paul Naschy(real name Jacinto Molina)has had a long successful career in horror movies,most notably portraying the heartiest old school lycanthrope this side of Lon Chaney Jr.,though this entry is arguably the most insane of his early movies.That's saying a lot for a guy who's squared off as a werewolf against vampire women,and even a yeti!This classic headspinner has rats,rotting corpses,graverobbers,hunchbacks,mad scientists,underground labyrinths,live burning rats(!),decapitated heads(they used a real cadaver for Jacinto to behead,but even after two swigs of whiskey he couldn't get past the initial neck slice!),and the single best flesh-devouring walking pile of burnt scrapple vs. enraged hunchback finale ever filmed!That's no typo,fiends!
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Even a hunchback like Gotho likes to get a little head now and then.
The local tavern is filled with boisterously drunken miscreants who like big beers, and big bobbly boobs,but none more drunk or mentally challenged than Udo,who decides to stumble home on his own.Its his bad luck that he ends up getting parted out on a slab in the basement of the medical school by local hunchback Gotho(Paul Naschy).Udo's squeeze is Ilsa,a terminally ill young girl who is one of the few townspeople who ever treated Gotho with respect.Everybody else cruelly namecalls,throws rocks and maltreats the titular morgue-dweller,and when Ilsa buys the farm,Gotho isn't there for her,as he's busy catching his daily dose of ridicule from the med students,enraging the human camel,killing one of his tormentors while stealing Ilsa's body and lumbering off to his subterranean lair with it.There in his labryinth,Gotho awaits Ilsa's awakening,keeping the hungry rats off of her body with a torch(insert shots of actual burning rats scurrying in all directions,sorry PETA).
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This guy now knows the extent to which Iron Maiden rules.
Logically,this would be the point in the story where the mad scientist is introduced.Enter Dr.Orla,who wants to create life from dead people,and promises Gotho he will awaken the hunchback's rotting love interest if he will only:move the doctor's intricate laboratory setting(complete with full electricity and obligatory sulfuric acid pit) down to the catacombs,and supply the M.D. with fresh specimens for his research.Check,aaaaaaand...check.Gotho does both with reckless abandon,proving he's very handy for a homicidal heartbroken hunchback.As usual,Orla renegs on his promises,and instead creates a huge humanoid-esque scrapple monster,that needs to be fed live humans in order to grow to its full potential(naturally).From here on in,anything goes,as people get snuffed by the hunchback and the scrappleganger,there's teenaged sadomasochistic lesbians in a woman's reformatory,iron maidens,acid baths,more rats,and the boffo square-off between Gotho and Scrapple-o!If your head isn't spinning 360 degrees by the film's climax,you need new ball bearings in your neck!
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Like most Spanish hunchbacks,Gotho is a misunderstood head-stealing,rat burning teddybear.
If you're not familiar with Naschy's work,this one,possibly the dictionary definition for "Eurosleaze", serves as an outrageous introduction to it.The shortcomings may be numerous(low budget effects,ridiculous dubbing,etc),but the payoff is worth it,and Morgue remains a very enjoyable screener for rabid fans of the gruesome and the grotesque.Director Aguirre,the man responsible for Naschy's earlier effort,"Count Dracula's Great Love",still takes the directorial chair to this day.I'll be taking a look at some of Naschy's other shroud-pleasers some time next month,but until then,I recommend this movie, and score it:
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I don't exactly know what it is,either,but I'm ordering a plate of it next time I go to the Moosic Diner.
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