Wednesday, June 19, 2013

"Willie Dynamite" (1974) d/ Gilbert Moses

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Pimpy day

keepin the johns well-laid

On my way to where the macks are sweet

Can you tell me how to get, how to get to

Willie Dynamite's street?

...Yeah, sorry, I couldn't resist.

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Quit eyein' up the fabric, Henson...you ain't makin' muppets out the muthafucka!
Out of all the New York pimps, Willie Dynamite (Orman) is number two, though if one gauged a pimp's mackaframalama by the loud threads he wears or the chromed down purple Caddy he drives, then Willie D. is a pimp among pimples. Motherfucker's clothes are so loud, if you spend too much time looking at one of his outrageous get up's, you'll get a p.s.h.(permanent shift of hearing, can you dig it?). With the pigs comin' down hard on the city's players, a mackin' committee convenes over the heavy situation where the pimpin' King and Willie's main rival, Bell (Roger Robinson), suggests the flesh peddlers all share turf to lessen the economic blow, but Dynamite chooses to face the heat directly, pimpadocious cat that he no doubt sho' nuff do be.  As the old saying goes, pimpin' ain't easy, and Willie learns first hand the truth behind such a sentiment when his Caddy gets towed, Pashen (Joyce Walker), his afro-wigged trick, gets pinched, and to make matters worse, Cora (Diana Sands), the local social do-goodnik, lays a heavy moral trip on our trick-slappin' daddy, who tells her he'd rather rape a watermelon (!!) than her self-righteous ass.

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Only five of these tricks is Oscar's, the other's up in this bitch for his pet worm.
Things go from bad to "You gotta be shittin' me, Jack!" for Willie, as his whole stable of bitches get collared and herded into a box truck. Save the paddy wagon for those two bit hamburger pimps, baby. With the D on the ropes, Bell tries putting the mackin' squeeze on him, and ends up naked in the Bronx (talk about revolting developments...) for his efforts. Despite his best attempts, karma puts it's good foot straight up Willie's polyester-clad ass sideways, anyway in the end. When Willie's top money earner, Honey (Norma Donaldson) tries to muscle some of Bell's girls off of Willie's turf, she gets a neck-mouth for her troubles, and Cora gets all of D's bank accounts frozen like an old cat's stroke-ridden grill. After the local detectives chase Willie all over the Bronx (firing their weapons indiscriminately, mind you) and his bitches get arrested again, with Pashen taking a natural prison ass whooping, some of Bell's homeboys beat the shit out of the luckless player, who gets arrested himself afterwards! Finally, after his heartbroken moms keels over dead at his arraignment (!!!) and he watches a tow truck remove his pimped out set of wheels, he briefly joins in on some neighborhood kids' football toss, and walks off towards a new, less stressful future.

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"Why you escalatin' the price of cognac on a brothah, Mr. Hooper?"
Once you've exhausted all the Sesame Street and wardrobe jokes you could possibly make about tonight's effort (don't look at me, man,  I NEVER run outta cornball jokes. They say some of the things I write should end up as dialog in movies, but they're wrong, as anyone with half a mind could tell you: It all should. Haha!), you'll end up with a fairly gripping urban drama, with little if any glorification of the prostitution/pimping biz to be found within. In fact, after you're finished screening Willie, you might come to realize you didn't just watch the run of the mill 70's blaxploitation flick, and see it for the highly watchable downer it really is, well deserving of three big ones. Recommended.

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When Willie (Roscoe Orman) ain't  pimpin', he doubles as a baton in a marchin' band, dig?
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